星光闪闪4.1

创作人把自己当救世主实例自从the big short尝到奥斯卡的甜头Adam Mckay就走上了成魔之路但别忘那可有Michael Lewis的原著打底这部比vice还焦虑攒了一堆大咖星光闪闪也不好看只能感概现在除了怀念step brothers、anchorman那时的纯真以外还要为他和Will Ferrell的友谊哀悼

最搞笑的是连香港人自己都对TVB90年代拍的那批金庸快餐剧不屑一顾收视率一败涂地反倒是TVB邵逸夫把张纪中的金庸剧大批大批的引进收视火爆天龙直接在台湾把台湾几十年霸占收视率第一的乡土剧打爆大陆这边人却一直在捡香港人自己都不要的陈年剩饭剩菜吃真是滑天下之大稽

我只记得当时《星光闪闪》很红然后此剧也出现了贞子结果我被贞子的菠萝油那段感动得哭得稀里哗啦……

In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.

情节上添了更多杀人放火可能是用来弥补结尾删改丢掉的力量而且就算庄树再重要与其塌在一个不过硬的演员身上还不如都分给其他的角色人家都撑起来了面对时代的碾压究竟如何作答星光闪闪这个电影版本是彻头彻尾的绝望